FINAL CUT is a mystery featuring Staff Inspector Charlie Salter, of the Toronto Metropolitan police. Salter has an desirable odd-jobs position in the Special Affairs Center. In FINAL CUT he has a sweet assignment, baby-sitting an American-directed film set in Toronto, warmly depicted here. He gains the director's cut view of the craft behind the magic. The villain's escape may be unrealistic, while the contents of a grocery bag are precisely detailed.
The job looks a cinch until various acts of sabotage occur during the filming. After several occurrences, the screenwriter is killed. The pushy young star, the grouchy cinematographer, the unappreciated assistant director, the autocratic continuity manager, and all the others are suspects. Salter investigates with quiet competence, the complete opposite of the flashy car chases of the movie.
A subplot of the novel is Salter's relationship with his teenage son Seth, who wants to dance professionally. Salter is uncomfortable with this decision, though he keeps it from Seth. He wants better for the boy, and doesn't want others, including his police brethren, falsely stereotyping his son as gay. Salter gets Seth a chance to visit the set, where he's fascinated by meeting a famous actor, Henry Vigor. Vigor has made a career playing villains. He's a Nazi in this film, although he escaped from them in real life. Seth idolizes the old man, and by the end of the novel, may have a new career choice.
The noir detective has to walk alone; Salter has his wife and family. That's another reason I love this series. The family relationships are quite real, neither idolized nor demonized.
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