COMMENTARY: BUNNY SALAD RECIPE (as mentioned in review of GOODNIGHT NOBODY)

After reviewing GOODNIGHT NOBODY, I can't resist posting this, because I think it's hysterically described as "easy." These really were brought in batches of twenty-five, to complement orange cream cheese carrots with green shredded marshmallow stalks.

"You have enough on your plate this month with Easter rolling around, pictures needing to be taken and baskets to be assembled. Why not have your little ones help you out this Easter dinner? Below are really easy and simple recipes for you and your little helpers!"


Difficulty: Easy
Things You’ll Need:
Small plate for individual bunnies or couples, platter for bunny family
Lettuce
1 half pear (fresh peeled and halved,(!) or canned halves)
2 raisins
2 almond or cashew halves
1/4 maraschino cherry or red-hot candy
2 toothpicks for whiskers (optional)
1 heaping tablespoon cottage cheese
Lightweight food storage bag to fit plate (optional)
Step1. On a small plate, place a leaf of lettuce as “grass” for your bunny.

Step2. With the narrow end facing you, place pear half cut side down in the grass.

Step3.Press 1/4 maraschino cherry or red-hot candy into the tip of the pear as the nose.

Step4. Break toothpicks in half and poke into pear as whiskers. (The better to have your kids choke on them, I guess).

Step5. Press raisins into pear for eyes. Cut and use half for each eye if whole raisin appears too large.

Step6.With pointed end up, press almond halves into pear for ears. For floppy ears, use cashews. (Nuts, another good thing for kids to choke on).

Step7. Add one heaping tablespoon of cottage cheese as the bunny’s tail. "May substitute a miniature marshmallow for the tail, but if exposed to air too long it won't look good."

Step 8. Run screaming through the house when kids have spilled all ingredients arguing about who gets to eat the maraschino cherries.

GOODNIGHT NOBODY, by Jennifer Weiner.(audiobook) Parker, Johanna, Narrator.

I liked the premise of Kate Klein,the writer-turned housewife who gets to use her investigative skills again when she falls over the murdered body of one of her neighbors. She describes her Connecticut neighborhood as making Stepford seem diverse.

I can really relate when she talks about the perfect stay at home mommies with perfect bodies who are always making crafts with their children. I REMEMBER some of these supermoms, who brought cute little pear-half bunny rabbits arranged on lettuce leaves for the Easter party at the preschool. With cute tiny little sliced almond ears, raisin eyes,and marshmallow tails. Unfortunately, the book is dragging on way too long. I no longer care which perfect neighbor has which sordid past. I thought once that Kate's old boyfriend did it, but he didn't. I'm now hoping that it's not Kate's best friend.

Narrators can make or break an audiobook, and Johanna Parker is good, not great. She really differentiates the women characters, and that's good. But she doesn't have the deeper range for the male characters, and I can't tell some of them apart. Parker is not nearly as good as Isabel Keating, who read PLAYING WITH BOYS

A.D. NEW ORLEANS AFTER THE DELUGE, non-fiction, by John Neufeld

This new graphic (comic book style) novel about the people who faced Katrina propels the reader onward as a nightmare unrolls. The author follows several real people of all colors and ages as they meet the storm. Each decides to go or to stay, and later to return or relocate. No decision is perfect.

Leo and Michelle evacuate to Houston, a nightmarish nine hour drive, leaving behind Leo's beloved fifteen thousand comic books.

Denise, an acerbic social worker, is a sixth generation New Orleanian. She and her family attempt to relocate to Memorial Baptist Hospital, then eventually make it to the convention center. There is little water and no sanitation, but in a departure from what we've all heard, it's the gangsters who provide help by looting stores to bring water, and by keeping order.

Abbas and Darnell are friends who team up to protect Abbas' small grocery and deli. They will finally cling to a rooftop as Darnell's asthma worsens.

Kwame is a pastor's son who's entering his senior year in high school. His father's church will soon drown, and he will finish high school in California.

Dr. Brobson throws a hurricane party in his elegant French quarter home. Later he offers volunteer help for weeks.

Neufeld, who spent three weeks as a volunteer in Biloxi, tracks the storm slowly as the deluge occurs. His drawings are as beautiful as they are dreadful. He follows not only the storm but also the relocation and rebuilding of each life. For Leo, it's getting his comic book collection started again by donations. For Denise, it's being able to return to New Orleans after a bitter time in Baton Rouge. But as she says, it's not over yet, because, “we're not all home.”

PLAYING WITH BOYS, by Alisa-Valdes Rodriguez, audio recording, read by Isabel Keating

Alisa Valdes-Rodriguez's trademark style intermingles the struggles and triumphs of several Latina women. Her first book, THE DIRTY GIRLS' CLUB, followed six women, friends from their college years. It was an exhausting but fascinating mix.

This book stirs together three LA-based protagonists: the talent agent Alexis, a transplanted Texan who's stuck managing a tasteless, sexist band; Marcella, a former telenovela star hoping to escape her nude photographs and find better roles in Hollywood, and Olivia, a would-be-screenwriter suffering from PTSD since she witnessed the murder of her father by Salvadoran death squads.

The three support each other with humor and warmth in their professional lives and their tangles with men. I feel that Valdes-Rodriguez could have tightened the action by eliminating a little of Alexis' seething about her chunky body and Marcella's hatred of her never quite perfect one. Stay-at-home mom Olivia is initially so dreary and depressed that I began to skip those segments. When she finally re-invents herself, it's worth the wait.

Isabel Keating's narration is splendid; the different voices are distinct and crisp, a pleasure to hear. This artist is top-notch, and I hope to find more of her work. It would be great with another of Valdes-Rodrigues' tasty combinations.

KITTY GOES TO WASHINGTON, by Carrie Vaughn

New fantasy favorite! Carrie Vaughn's heroine is a werewolf, Kitty Norville, who has her own radio talk show. The Midnight Hour takes on the world where werewolves and vampires have just come out of the closet. Kitty gets subpoenaed to testify before a Senate committee whose vicious chair, Senator Duke, seems more interested in persecution than intelligent discourse.

Two things about this series intrigue me. The werewolf and vampire conditions are caused by infectious diseases. Researchers from the NIH and CDC, some unscrupulous, launch investigations to uncover the biological sources of the rapid healing and immortality of these monsters, as Kitty freely labels herself.

But werewolves are not all ravening creatures. Carrie Vaughn explores actual wolf pack dynamics and concludes that for every snarling alpha, there are twelve whose only desire is to submit to the leader. Kitty is one such beta, whose Wolf interior constantly tells her to be quiet, make herself small. No eye contact, no smiling because she might show her teeth--all these show cooperation and keep her safe within the pack. Unfortunately, she's had to leave her pack, which unsettles her. Living alone, she's in charge only with her talk show, dark in the night. She's coping with a solitary life, but submits to others in authority--such as Alette, the Vampire Mistress of Washington, DC

Psychics, dangerous wild Fae, scandal-mongering reporters, and a sexy Brazilian were-panther fill out the roster for a satisfying read. An entertaining bonus short story about a demon-infested band which visits the talk show ends the tale.