Monday, July 19, 2010

WHY THE SUPERNATURAL? commentary

The proliferation of supernatural novels raises the question of why this genre is so popular now. I think there are currents in writing, waxing and waning of popularity. A writing instructor told me once that successful writers told the exact same stories, only different. J.R.R. Tolkien may have been the progenitor of modern fantasy, with his legendary Middle Earth trilogy. He didn't have any vampires or werewolves, but certainly chronicled the societies of hard working dwarves, glittering and dangerous elves, and brooding wizards.

Another example is the tough-gal protagonist, with Sue Grafton's Kinsey Milhone its prototype. There have been many followers, of various twists, including Sue Dunlap's Jill Smith cop mysteries. Dunlap's creativity also produced a lowly meter reader P.I, as well as an independent female medical examiner with a gorgeous cook/house boy. V.I Warshovski and Carlotta Carlyle are two other tough broads, given life by Sara Paretsky and Linda Barnes respectively.

Movies of that era also began to abandon the female role of helpless female or girl Friday. Ass-kicking women are now the standard stereotype, from Carrie Moss of the Matrix series to any number of Angelina Jolie's roles. The average woman can't really beat up the average man, but this stereotype is much more fun than the fluttery kind.

Maybe in the future the Chinese will colonize Mars, and spacesuits and rockets will appear, but I predict that sexy, spooky Sookie and her friends will rule for now.

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